In most art forms and movements, the embodiment is described as the basement of an artwork. On the other hand, the embodiment of online interaction would be a second-hand subject. This case is an argument between the artist and academics working on digital performance. 'Many Performers in digital play explore the topic of human body which is strange how is not lost in the era of permanent virtual innovations. But on the contrary, the artists say that the human body as an interface to transfer data becomes more and more important today' (Shchelokova 2016, 52). Body in digital and online space expands or shrinks simultaneously. In other words, new technology adds advancements to the human body while making it inactive and more limited in some skills.